Dream Art Destinations

This week on Instagram, Kate Bryan the art historian and judge on Portrait Artist of the Year gave a round up of her five dream art destinations, places she would transport herself to if she could to visit notable art works. It got me thinking about where my dream art destinations would be. Where in the world would I transport myself to if money were no object, covid-19 were not in existence and I had no responsibilities at home?

1. Monet’s Water Lily triptych in MoMA, New York. The one that started it all. I’ve spoken about this painting before, many times in fact. I first saw the painting on an A-Level college trip in 2005. I was taking Ceramics and Photography AS-Levels at the time and thought I might do photography at university because although I wasn’t particularly good at photography I really enjoyed it and liked the processes involved. It was a short trip and my first time going to the United States. We crammed a lot of art in to the time, visits to multiple Chelsea galleries, the Met and Whitney. What stuck with me most and set me off on a different path was the Monet in the MoMA. I’d never seen an impressionist painting as big before. The dreamy colours, the brush strokes. It pulled me in and mesmerised me. I’ve been back to see it twice since then, each time sitting with it for ages, hypnotised. I would book a plane ticket to New York just to sit in front of it again.

2. Monet at Musée de l’Orangerie, Paris. Following on from the Monet at the MoMA, a gallery that I would love to see inside is Musée de l’Orangerie in Paris. Home to eight of Monet’s huge water lily landscape paintings, hung one after another in two oval shaped rooms so that the viewer is completely surrounded by beautiful compositions inspired by Monet’s garden in Giverny. I visited Paris on my art and design foundation year but wasn’t able to see inside l’Orangerie or Le Museé d’Orsay which is one of my regrets, within reach but just missed due to a tight schedule.

3. Tracey Emin and Egon Schiele at The Leopold, Vienna. One I’d need a time machine for would be ‘Where I Want To Go’ which took place in the summer of 2015 at The Leopold in Vienna. I’ve been extremely fortunate in that I have visited The Leopold before and I have seen Schiele’s incredible work close up. To see his intimate drawings alongside Tracey Emin’s work would be wonderful. I’ve seen Emin’s work in various places, at several Royal Academy Summer Exhibitions and at her solo show ‘The Last Great Adventure Is You’ at White Cube Gallery. Emin draws inspiration from her personal experiences, themes of love and loss. Her ways of working span painting and drawing, neon, sculpture, writing - as the saying goes ‘a jack of all trades’ - I’d go so far as saying she’s a master of them too. There are parallels in Emin and Schiele’s work which would be fascinating to witness in person.

4. Michelangelo at The Sistine Chapel, Vatican City. This one is lifted directly from Kate’s list because the more she spoke about it the more bereft I felt for not seeing it. I find it quite inconceivable that Michelangelo was able to produce such an incredible piece of work, quite frankly the scale and detail blows my mind and I haven’t even seen it in person. My art history knowledge is quite lacking really. Despite having Fine Art BA and MA degrees I have trouble retaining art history knowledge especially if it’s pre-19th century. I feel like seeing the Sistine Chapel would ignite a passion for art of the Renaissance period. Aside from seeing The Sistine Chapel I would also just love to visit Rome as I have never been and it does feel strange to have visited so many places on my travels but to have not been somewhere so culturally significant.

5. Cy Twombly at Tate Modern. Again I’d have to jump into a time machine for this one but I really wish I could have seen the Cycles and Seasons exhibition by Cy Twombly at Tate Modern in the summer of 2008. I have the catalogue which I picked up from Waterstones one day when I was fairly unfamiliar with Twombly’s work. The photographs of the expressive and scratchy paintings inside the book really spoke to me and I’ve had a passion for his work ever since. I have seen Twombly’s work in person before but I would love to see a whole collection of his work in one space so that I might be completely absorbed by it, with eyes tracing the deep lines scratched into the surface, trying to make out the writing scrawl.

So, there are five places that I would love to go to see beautiful art. Of course there are countless more museums that I’d love to revisit or see for the first time and I hope one day I will get to go. Alongside a regular ‘bucket list’ I have an art ‘bucket list’ and I feel extremely fortunate in that many places I have already been to (mostly on college and university art trips). The more art you see in person the more your life is enriched in my opinion. Where would you love to go to or revisit to see art?

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2019: In Review

2019, what a year.

A Collection of Commissioned Floral Drawings

I experienced the most change in 2019 than at any other time in my life. The year started with me being very heavily pregnant, anxiously waiting for exchange and completion on our first home together. The keys came in mid January and we had just enough time to give the flat an almighty clean and with (a lot of) help from friends paint a few rooms. We moved in and on the 8th February (nine days overdue) our son Harrison arrived. The next days/weeks passed in a blur. Sleepless nights, breastfeeding struggles, spontaneous tears all mixed in with pure joy, moments of disbelief that we had made something so perfect and a constant feeling of adjustment.

In April I picked up a pen to draw for the first time since Harrison arrived, I managed some simple sweet peas in fountain pen. In May we took a trip to Cornwall to visit my dad, it was our first little family holiday and felt so needed. In June I started working on a new ‘woodland study’ drawing for an exhibition with The Arborealists; an artist group whose focus is on trees. It was an honour to be asked by founder Tim Craven if I would take part in the exhibition at the Turbine House in Reading as a guest. The exhibition was a success and it was wonderful to be able to take some time to attend the private view and meet some of the participating artists in person. The exhibition coincided with me ‘solo-parenting’ for a week while Craig went to a festival, Harrison and I got on extremely well on our own though of course we were very happy when he returned.

Woodland Study VI at The Arborealists and Guests Exhibition at The Turbine House

Summer was spent picnicking with friends, fruit picking, taking walks, visiting National Trust gardens, Harrisons very first day at the beach and several trips to Lymington to indulge in pub lunches with my grandparents. Inspired by all the flowers we’d seen on our day trips I started making more and more floral drawings, most of which were on beautiful handmade paper that I’d sourced. The drawings that I made and shared led to a few commissions which I was grateful for but found to lead to a bit of anxiety as I felt under pressure to create the perfect drawing. Several of the floral drawings went on display at The Sheep Shed Gallery in Weyhill for an exhibition titled Where Flowers Bloom, as I’d hoped when I had a solo exhibition in 2018 I now have a lovely relationship with the gallery which has led to me being asked to exhibit in group shows a few times.

A Favourite Commission - Seeded Eucalyptus

Gardenia Commission

August 28th was a heartbreaking day as we had to say goodbye to our beloved golden retriever, Megan. She loved us unconditionally and brought us 14 years of joy and laughs. We still miss her everyday.

In September we attended the wedding of one of my dear university friends, Harrison stopped breastfeeding and we finished two terms worth of Baby Sensory classes. It really felt like Harrison was starting to go from baby to little boy. In October we were gifted five nights stay in Craig’s sisters caravan in the New Forest. We went for windy walks along the coast of Milford-on-Sea, ate pub lunches and drank hot chocolates, visited beautiful Exbury Gardens and took a walk from Beaulieu to Bucklers Hard. Since moving into our flat in January we had experienced some really awful noise disturbances from our upstairs neighbour, combined with lack of sleep and a fairly constant feeling of exhaustion we were so grateful to be able to escape for a few days to enjoy true peace and quiet. A new mortgage, new car and a new baby on basically one income meant that ‘adventures’ were a little few and far between throughout the year so a free trip really meant a lot and gave us some lovely memories - our first holiday just us three!

In November Craig and I celebrated 13 years together, we got to enjoy an uninterrupted brunch while Harrison slept peacefully in his pram and in the afternoon we took him to our local National Trust estate, The Vyne for a little DIY family portrait session. I also released two brand new giclée prints taken from my ‘woodland study’ series of drawings, they came out better than expected and I hope that many will find new homes.

In December I had two drawings on display at The Sheep Shed Gallery in Weyhill at an exhibition titled Synergy. I was pleased to learn that both drawings sold. The rest of the month was all about enjoying our first festive season together as a new family. I took some time away from social media after the results of the general election and realised that I’d like to take a break more often, I’m so guilty of constantly scrolling and spend a lot of my time liking, commenting and sharing other peoples work that I frankly felt quite burnt out. It’s great to support other people by engaging as it does make a difference but I was making it too much of a priority, feeling bad if I missed somebody’s post.

Winter Tree, pen on paper

It’s been a big year personally and that’s one of the reasons why my art business has not done as well as 2018 as I haven’t been able to devote as much time to it. In 2018 I sold over 100 drawings, in 2019 I sold around 40. In 2018 my website received over 7000 unique visitors, in 2019 just under 4000. I only managed a few journal entries in all of 2019 whereas in 2018 I ran an artist interview series and wrote some very personal posts too which got a lot of traction. Without new posts being added regularly it’s hard to get people to click on to your website, this year I’d like to increase my journal entries again, possibly by doing ‘artist spotlights’ where I write about other artists work, like an interview but without having to bother the artists with lots of questions.

Mottisfont in July - A New Woodland Study Drawing

I would also like to create more drawings that I can make prints from to create a little bit more passive income, I’m in receipt of child benefit as our household income is under the £50,000 threshold but I don’t receive maternity pay. The only money I have is money I make from my shop, child benefit and money that Craig gives me. I very rarely buy myself anything, most of the money that goes into my account goes on formula for Harrison, activities for him like ‘messy play’ and other baby groups, food shopping and household essentials. I’d love to be able to make enough that I don’t have to ask for money from my partner, can buy things that I need easily and things that Harrison needs too. Ultimately I’d like to earn enough to be able to have my income taken into account when we move on from our flat and into a house, it’s going to be a big financial struggle moving on as house prices in our area of north Hampshire get more expensive and not enough affordable housing is built.

It’s been one hell of a year, we’re used to working hard and travelling hard - our twenties were all about adventures to faraway lands but 2019 was probably our biggest adventure yet; parenthood. We couldn’t be prouder parents of our little boy, he’s fast approaching his first birthday and has such a big personality, mischievous, cheeky with an eye for trouble. We love making memories with him and hope 2020 will be a great year full of fun. My art making and business running has to slot in around Harrison these days but I like to think that I can make 2020 more productive so that I can spin both plates of artist and mum.

Harrison’s First Christmas

Have you written a review of your year or hopes and goals for 2020? I'd love to read if so, let me know in the comments below. 

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The Arborealists and Guests: The Art of the Tree

The Arborealists are an artist group founded by artist and curator Tim Craven in 2013. Tim’s intention was to bring together artists who used trees and woodland/forest landscapes as the particular focus of their practice and create opportunities to exhibit work together. An exhibition of several artists work is sometimes a more interesting prospect than a solo artists exhibition due to the variety in approach and mediums displayed. I’ve been following the work of The Arborealists since around 2014 when I finished my MA. I was introduced to the work of Blaze Cyan, a member of the group through Louise Pallister (a Twitter friend) and met Blaze when I went to London to see Louise and Blaze’s work at their final MA exhibition at City and Guilds.

Installation View of The Art of the Tree

Installation View of the Art of the Tree

In September last year I emailed Tim Craven and expressed interest in the group, Tim was gracious and said that although all the member slots were filled he would keep me in mind for any opportunities where I might be able to exhibit as a guest. In April I received an email from Tim asking if I’d like to exhibit as a guest with the group at The Turbine House which is part of Reading Museum. I agreed wholeheartedly and set to work making a new drawing to exhibit. It wasn’t easy but I managed to fit drawing in around looking after my baby son, who was just over two months when I first started work on my piece ‘Woodland Study VI’.

Above: Alders Reflected in the Dart, graphite on board by Paul Newman | Below: Shadowline 2, pencil on paper by Celia de Serra

June rolled around, I’d finished my drawing and organised framing. I took my piece to the Turbine House where I met Tim and some of the participating artists. The venue itself was full of character, situated on the banks of the River Kennet with river views from each of the square framed windows. I returned to The Turbine House the following evening for the private view, Tim’s curation of the show was wonderful. Large colourful paintings were given plenty of room while smaller more monochromatic works were placed together. It was a joy to see work in person by Paul Newman whom I’ve followed online for some time as well as Buckmaster/French whose work I’d seen at the Royal Academy Summer Exhibition. A personal favourite was the pencil drawing by Celia de Serra, she captured beautiful light and shadow of a forest trail that mentally transported me to a secluded woodland spot.

Fonthill Beech, etching on paper by Blaze Cyan

Detail of Tangled Bank - Winter Light, acrylic on canvas by David Wiseman

A familiar face at the exhibition was Peter Driver, an artist who I met while studying at Winchester School of Art. Peter had his piece ‘Eleven Of The Seventy-Seven Drawings Made At Two Mile Intervals Walking Between Winchester and Salisbury’ on display.

It was a real thrill to see my piece alongside work by accomplished artists and in such a characterful gallery space too. My thanks go to Tim Craven, The Arborealists and guests and the Reading Tree Wardens who invited The Arborealists to exhibit in Reading and invigilated the exhibition.

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